Monthly Archives: June 2012

A Round of Words in 80 Days

I’m buried under priorities and projects right now. It’s mostly my fault–I did decide to become a writer after all–but I won’t take all the blame. The common myth of a writer has the star of the show sitting in a cozy coffee shop or a quaint little den, sipping their caffeine-laden beverage of choice while happily creating worlds with their finger tips.

That image does not include agonizing over the second draft, working to get your name out there, and struggling to come up with the next idea all while wondering if you’re just wasting your time because no one likes you and never will.

Also you need a shave.

Still, I love most of what I do (even the revision work) and the rest I can tolerate. What has become intolerable, though, is this feeling like I’m juggling six chainsaws while balancing on a tightrope over the gaping mouth of an alligator. That’s gotta stop.

I stumbled across A Round of Words in 80 Days a while ago and filed the link away as a little something to look at later. Briefly, ROW80 is a writing challenge where you pick your own goal. Instead of an everyone takes on the same goal, do or die challenge like writing a whole novel in a month, ROW80 is the challenge that understands even writers have lives outside of the pages they fill. It also understands that what works for one writer won’t always work for another.

In ROW80 you see people committing to writing 750 words a day, or editing twenty pages every afternoon. These are simple, clear, action-oriented goals within your reach because you get to set them. Exactly the sort of goals I like.

Once you set a goal, you have 80 days to reach it and update people twice a week on your progress. Once the round is over, you reassess your priorities, pick a new goal and the whole thing starts over.

I’m planning to jump into this next round which begins on July 2, but I’m not exactly sure what my goal will be. I have a pretty daunting list of long-term projects and trying to figure out which thing to tackle, and how to build a goal around it, isn’t exactly easy. I have a day or two to think, so hopefully I can figure something out.

I hope you’ll stick around for the ride. Since this is the first challenge of its kind that I’ve tried, it should at least be entertaining to watch.

In addition to keeping this blog alive and writing scary stories, Jeff Clough loves to read and review indie books. If you want a good read, look at his list of previous book reviews. If you want Jeff to review your own book, check out his review policy. He also writes about being a writer though he does not, as a habit, write about himself in the third person.

Review of Annika Howells’s “How to Disappear Completely”

To me, the “what if” of a novel is often more important than the genre. It’s the central thought around which a story is built. What if there really is a monster hiding in the closet? What if even the nicest, most well-adjusted person is just one phenomenally bad day away from becoming a psychopath?

In the same way specific genres might appeal to us, I find myself especially drawn to the same “what ifs” over and over again. If I crack open a novel and find the author exploring a question on my short list, he or she is already half-way to offering me a great read. One of my favorites?

What if reality isn’t even close to being the objective common ground we think it is?

That question ranks high on my list, so it’s little wonder I raced through Annika Howells‘s novel How to Disappear Completely and loved nearly every word of it.

Howells’s novel begins with a seventeen-year-old girl named Lycia waking up in the town of Greenwood. It’s a place like no other: dark, twisted and cursed with the kind of weather that makes Seattle seem downright arid. Her mother is comatose and the only other inhabitants of the town are children–all identical Barbie and Ken doll lookalikes–capable of hideous cruelty. As Lycia explores the town further, she finds only two other children like her and learns Greenwood exists in its own inescapable dimension, completely cut off from a “real” world she only half-remembers.

Howells dives into Greenwood on page one and leaves the reader feeling as off-balance as the main character, a delicious device if the author can pull it off and Howells uses it well. It’s a novel that’s equal parts action and mystery, which keeps the story moving even as it explores human nature and the nature of reality itself. And as the violence escalates to horrific levels, we’re made to experience all the dread and terror that birthed the town of Greenwood in the first place.

Overall I found the story exciting and the world thought-provoking. The characters themselves are also interesting, though there were a few times when I thought the characters’ actions weren’t entirely realistic.

For example, and maybe it’s just me, but if I woke up trapped in a town filled with unpredictable and violent teenagers, I’m pretty sure my first order of business would be to find a weapon more effective than a snide remark.

But even though the characters acted a little off from time to time, their motivations and emotions were complex enough for them to rise well above the level of cardboard cutouts. I’ve written many times about how a great character or cast of characters is what makes or breaks a story for me, and in How to Disappear Completely, Howells had me caring about them early on.

Even if they should have armed themselves to the teeth by page thirty.

Novels Aren’t Research Papers

“Give me just enough information so that I can lie convincingly.” ― Stephen King

It’s a rare novel which doesn’t require at least some research, but people don’t read fiction to learn the intricacies of forensic pathology or the art of underwater basket weaving. They read them to be entertained, and nothing can bog down your story like a two-page dissertation on digestive parasites in the middle of your romance novel.

Here are the things I keep in my when I do research for my own stories.

It’s all about the little things.

How long is the car ride Devon and Sandra take from Boston to Bangor? Does Devon’s 1958 Impala have two doors or four? How many times a week does Sandra’s karate class meet?

Questions like these crop up all the time when you’re writing, probably because we run into them in our own lives every day. And in my opinion, that means you have to get them right. For instance, if you study martial arts, you’ll know that going to the dojo once a week does not a serious student make. Three times a week (or more) is more like it. If an author gets that wrong, many readers will spot it right away and you lose credibility.

Just because it’s interesting to me, doesn’t mean it’s interesting to my reader.

The main character in my current WIP is a photographer, an occupation I had to research so I could write him convincingly. I picked up a lot of neat things about the art, but very little of what I learned is going to make it into the book. And in the second draft I’ll be editing out a lot of what I did put in.

That’s because my novel isn’t a photography textbook. All I’m looking for is a handle on how my main character might perceive the events around him, and just enough realism to keep my scenes believable. If I start writing about the lens he’s using to get a certain shot, then I’ve missed the point.

It’s not about being right, it’s about meeting expectations.

Ask any forensic scientist and they’ll tell you most of the tests you see done on television take days to run, not minutes and hours like they show on the screen. Real science takes time, but the average person was taught long ago to accept a shorter time frame in their fiction.

If your main character gets DNA results from the lab in three hours, you might be bending the truth a little, but most readers aren’t even going to notice, because they expect these tests to go quickly. And with a shorter time frame, you can keep the pace of your novel brisk. If you held yourself to what reality has to say, you’d have to be a lot more careful to keep things moving along.

Meet the reader’s expectations of reality first, then worry about what reality has to say.

How do you research?

What do you do when you sit down to research? Do you write first, research after? Do you pace out your research, doing a little at a time here and there, or do you do it all at once?

Why Doing Well in School Wasn’t Always an Option for Me

The other day I saw an ad for some product that promised “hours and hours of fun.”

And that got me thinking…

“Exactly how many hours are we talking about? ‘Hours and hours’ is pretty vague, but it has to be at least four right? I mean ‘hours and hours’ is the sum of two plurals.”

A minute later…

“Well, call ninety minutes ‘one and a half hours,’ and that’s plural too. So really we’re talking about any number of hours greater than two.”

Another minute passes…

“Hmm…you know, I bet if you asked some people how long they had to wait in line at some crowded venue, they might say ‘I waited for hours’ when what they really mean is ‘I waited for ten minutes.’ So ‘hours and hours’ could mean anything at all.”

Then I realized what I was doing and went to lie down.

Six Sentence Sunday #11

I love Six Sentence Sunday, so it was kind of a bummer to miss out on it these last couple of weeks. But it’s a new week and a new opportunity. This six comes from Maynedon, my dark serial. It’s been on hiatus for several months, but I’m working on the next “season” and expect to have Episode 20 up around the first week of October.

In this scene–taken from Episode 2- The Man at the Lake–we meet Doc Harley, the Chief Medical Examiner for Cedarford County. He’s been called to the small town of Cedar Mills to investigate a death, along with his assistant David Masters.

Most of the time, Doc treated David like a necessary evil. He’d long since left any pretension to youth behind and had held off retirement for as long as his body seemed willing. Soon, it would be over, his task handed off to this young man who, to his credit, was in every way a worthy successor despite Doc’s reluctance to admit it.

David Masters did the heavy lifting in the field and more than his fair share of work in the morgue. He was young, handsome, obsessed with technology and well-adapted to a world ready to leave Doc behind. And, when the mood struck him to reflect on his life, Doc knew he was ready to let it.

I hope you enjoyed it.